Questões de Inglês - UNESP | Gabarito e resoluções

(UNESP - 1 FASE) Leia o texto para responder s questes de 27 a 29. Worlds happiest ranking goes to Finland for fifth year in a row Finland was crowned the happiest country in the world for the fifth consecutive year, with a score significantly ahead of its peers in the World Happiness Report 2022 ranking, published by a body linked to the United Nations. However, the authors detected, on average, a long-term moderate upward trend in stress, worry, and sadness in most countries, as well as a slight long-term decline in the enjoyment of life, they wrote. The report uses global survey data to report on how people evaluate their own lives in more than 150 countries around the world, with the ranking based on a three-year average. Key variables that contribute to explaining peoples life evaluations include healthy life expectancy, generosity, social support, freedom to make life choices, perceptions of corruption, and the gross domestic product per capita (an indicator that measures a countrys economic output per person, that is calculated by dividing the total gross domestic product of a country by its population). World leaders should take heed, Jeffrey Sachs, director of the Center for Sustainable Development at Columbia University, said. Politics should be directed as the great sages long ago insisted: to the well-being of the people, not the power of the rulers. (Kati Pohjanpalo. www.bloomberg.com, 18.03.2022. Adaptado.) According to the text, the World Happiness Report 2022

(UNESP - 1 FASE) Leia o texto para responder s questes de 27 a 29. Worlds happiest ranking goes to Finland for fifth year in a row Finland was crowned the happiest country in the world for the fifth consecutive year, with a score significantly ahead of its peers in the World Happiness Report 2022 ranking, published by a body linked to the United Nations. However, the authors detected, on average, a long-term moderate upward trend in stress, worry, and sadness in most countries, as well as a slight long-term decline in the enjoyment of life, they wrote. The report uses global survey data to report on how people evaluate their own lives in more than 150 countries around the world, with the ranking based on a three-year average. Key variables that contribute to explaining peoples life evaluations include healthy life expectancy, generosity, social support, freedom to make life choices, perceptions of corruption, and the gross domestic product per capita (an indicator that measures a countrys economic output per person, that is calculated by dividing the total gross domestic product of a country by its population). World leaders should take heed, Jeffrey Sachs, director of the Center for Sustainable Development at Columbia University, said. Politics should be directed as the great sages long ago insisted: to the well-being of the people, not the power of the rulers. (Kati Pohjanpalo. www.bloomberg.com, 18.03.2022. Adaptado.) De acordo com o texto, uma das variveis que ajuda a interpretar as avaliaes das pessoas sobre a sua prpria vida o

(UNESP - 1 FASE) Leia o texto para responder s questes de 27 a 29. Worlds happiest ranking goes to Finland for fifth year in a row Finland was crowned the happiest country in the world for the fifth consecutive year, with a score significantly ahead of its peers in the World Happiness Report 2022 ranking, published by a body linked to the United Nations. However, the authors detected, on average, a long-term moderate upward trend in stress, worry, and sadness in most countries, as well as a slight long-term decline in the enjoyment of life, they wrote. The report uses global survey data to report on how people evaluate their own lives in more than 150 countries around the world, with the ranking based on a three-year average. Key variables that contribute to explaining peoples life evaluations include healthy life expectancy, generosity, social support, freedom to make life choices, perceptions of corruption, and the gross domestic product per capita (an indicator that measures a countrys economic output per person, that is calculated by dividing the total gross domestic product of a country by its population). World leaders should take heed, Jeffrey Sachs, director of the Center for Sustainable Development at Columbia University, said. Politics should be directed as the great sages long ago insisted: to the well-being of the people, not the power of the rulers. (Kati Pohjanpalo. www.bloomberg.com, 18.03.2022. Adaptado.) No trecho do terceiro pargrafo World leaders should take heed, a expresso sublinhada pode ser substituda, sem alterao de sentido, por

(UNESP - 1 FASE) From the comic strip, one can say that happiness

(UNESP - 1 FASE) Human beings are relentlessly capable of reflecting on themselves. We might do something out of habit, but then we can begin to reflect on the habit. We can habitually think things, and then reflect on what we are thinking. We can ask ourselves (or sometimes we get asked by other people) whether we know what we are talking about. To answer that we need to reflect on our own positions, our own understanding of what we are saying, our own sources of authority. Cosmologists have to pause from solving mathematical equations with the letter t in them, and ask what is meant, for instance, by the flow of time or the direction of time or the beginning of time. But at that point, whether they recognize it or not, they become philosophers. (Simon Blackburn. Think: A compelling introduction to philosophy, 1999. Adaptado.) No texto, o autor explicita a presena da atitude filosfica a partir

(UNESP - 1 FASE) Leia o trecho do livro On the origin of species by means of natural selection, escrito por Charles Darwin e publicado em 1859. A struggle for existence inevitably follows from the high rate at which all organic beings tend to increase. Every being, which during its natural lifetime produces several eggs or seeds, must suffer destruction during some period of its life, and during some season or occasional year, otherwise, on the principle of geometrical increase, its numbers would quickly become so inordinately great that no country could support the product. (www.dominiopublico.gov.br) O excerto remete diretamente a conceitos biolgicos j consolidados. So eles:

(UNESP - 1 FASE) Considere o trecho da notcia veiculada no Reino Unido. A YouGov survey of more than 16,000 adults found that of the 40% of people who asked for a pay rise, just over a quarter succeeded. (www.theguardian.com, 03.04.2022.) De acordo com os dados da notcia, do total de entrevistados, aqueles que conseguiram aumento salarial representam

(UNESP - 2022 - 1 fase - DIA 2) Examine o cartum de David Sipress, publicado no Instagram por CartoonStock, em 13.06.2021. Depreende-se da fala do mdico que seu paciente

(UNESP - 2022 - 1 fase - DIA 1) Examine o meme publicado pela comunidade The Language Nerds em sua conta no Facebook em 07.04.2021. Para obter seu efeito de humor, o meme explora a ambiguidade do termo

(UNESP - 2022 - 2 FASE) An invigorating reading His grandparents were slaves. His father painted houses. His immigrant mother washed laundry. For a poor, mixed-race boy born in Brazil in 1839, their son had done well to become an apprentice typesetter in Rio de Janeiro. But a priest taught him Latin, and a literary agent spotted the gifted lad at the Imprensa Nacional, the government press, and soon he was contributing to newspapers, writing plays and poems and starting a literary circle. But it was as a novelist that Joaquim Maria Machado de Assis would truly shine. Machado worked as a civil servant and co-founded the Brazilian Academy of Letters; he married happily (although his Portuguese in-laws initially objected to the colour of his skin). Beneath all this outward respectability, his prose was radically ingenious. Ever since The Posthumous Memoirs of Brs Cubas, Machados fifth novel, appeared in 1881 it has astonished readers with its lordly ironies and scorn for convention. The books invigorating style, as much as its backdrop of racial and social injustice, makes it ideal reading for this morbid, insurgent summer Brs Cubas, the fictional memoirist, has just died from pneumonia. As a thwarted corpse who failed in almost everything he tried, he wants to set the record straight about his drifting life as an idle, pleasure-seeking dandy in Rio. Beneath his jaunty veneer, Cubas harbours a melancholy pessimism. He sees a freedman lash a slave he has bought to relieve his own sufferings by passing them on to someone else. Yet the novel floats free of the ambient oppression on currents of mischief and urbanity. Sprinkled with epigrams, dreams, gags and asides, the story teases, dances and delights. Across 160 short chapters (Long chapters suit long-winded readers), Machado mocks every rule of the 19th-century novel. A chapter of dialogue is written entirely in punctuation (!?!). In another, the narrator acknowledges (in a new translation by Margaret Jull Costa and Robin Patterson), I have just written an utterly pointless chapter. Dave Eggers, an American author, recently called this one of the wittiest, most playful, and therefore most alive and ageless books ever written (www.economist.com, 15.08.2020. Adaptado.) The text is mainly about

(UNESP - 2022 - 2 FASE) An invigorating reading His grandparents were slaves. His father painted houses. His immigrant mother washed laundry. For a poor, mixed-race boy born in Brazil in 1839, their son had done well to become an apprentice typesetter in Rio de Janeiro. But a priest taught him Latin, and a literary agent spotted the gifted lad at the Imprensa Nacional, the government press, and soon he was contributing to newspapers, writing plays and poems and starting a literary circle. But it was as a novelist that Joaquim Maria Machado de Assis would truly shine. Machado worked as a civil servant and co-founded the Brazilian Academy of Letters; he married happily (although his Portuguese in-laws initially objected to the colour of his skin). Beneath all this outward respectability, his prose was radically ingenious. Ever since The Posthumous Memoirs of Brs Cubas, Machados fifth novel, appeared in 1881 it has astonished readers with its lordly ironies and scorn for convention. The books invigorating style, as much as its backdrop of racial and social injustice, makes it ideal reading for this morbid, insurgent summer Brs Cubas, the fictional memoirist, has just died from pneumonia. As a thwarted corpse who failed in almost everything he tried, he wants to set the record straight about his drifting life as an idle, pleasure-seeking dandy in Rio. Beneath his jaunty veneer, Cubas harbours a melancholy pessimism. He sees a freedman lash a slave he has bought to relieve his own sufferings by passing them on to someone else. Yet the novel floats free of the ambient oppression on currents of mischief and urbanity. Sprinkled with epigrams, dreams, gags and asides, the story teases, dances and delights. Across 160 short chapters (Long chapters suit long-winded readers), Machado mocks every rule of the 19th-century novel. A chapter of dialogue is written entirely in punctuation (!?!). In another, the narrator acknowledges (in a new translation by Margaret Jull Costa and Robin Patterson), I have just written an utterly pointless chapter. Dave Eggers, an American author, recently called this one of the wittiest, most playful, and therefore most alive and ageless books ever written (www.economist.com, 15.08.2020. Adaptado.) According to the first paragraph, Machado de Assis started his literary career

(UNESP - 2022 - 2 FASE) An invigorating reading His grandparents were slaves. His father painted houses. His immigrant mother washed laundry. For a poor, mixed-race boy born in Brazil in 1839, their son had done well to become an apprentice typesetter in Rio de Janeiro. But a priest taught him Latin, and a literary agent spotted the gifted lad at the Imprensa Nacional, the government press, and soon he was contributing to newspapers, writing plays and poems and starting a literary circle. But it was as a novelist that Joaquim Maria Machado de Assis would truly shine. Machado worked as a civil servant and co-founded the Brazilian Academy of Letters; he married happily (although his Portuguese in-laws initially objected to the colour of his skin). Beneath all this outward respectability, his prose was radically ingenious. Ever since The Posthumous Memoirs of Brs Cubas, Machados fifth novel, appeared in 1881 it has astonished readers with its lordly ironies and scorn for convention. The books invigorating style, as much as its backdrop of racial and social injustice, makes it ideal reading for this morbid, insurgent summer Brs Cubas, the fictional memoirist, has just died from pneumonia. As a thwarted corpse who failed in almost everything he tried, he wants to set the record straight about his drifting life as an idle, pleasure-seeking dandy in Rio. Beneath his jaunty veneer, Cubas harbours a melancholy pessimism. He sees a freedman lash a slave he has bought to relieve his own sufferings by passing them on to someone else. Yet the novel floats free of the ambient oppression on currents of mischief and urbanity. Sprinkled with epigrams, dreams, gags and asides, the story teases, dances and delights. Across 160 short chapters (Long chapters suit long-winded readers), Machado mocks every rule of the 19th-century novel. A chapter of dialogue is written entirely in punctuation (!?!). In another, the narrator acknowledges (in a new translation by Margaret Jull Costa and Robin Patterson), I have just written an utterly pointless chapter. Dave Eggers, an American author, recently called this one of the wittiest, most playful, and therefore most alive and ageless books ever written (www.economist.com, 15.08.2020. Adaptado.) The second paragraph states that The Posthumous Memoirs of Brs Cubas is a

(UNESP - 2022 - 2 FASE) An invigorating reading His grandparents were slaves. His father painted houses. His immigrant mother washed laundry. For a poor, mixed-race boy born in Brazil in 1839, their son had done well to become an apprentice typesetter in Rio de Janeiro. But a priest taught him Latin, and a literary agent spotted the gifted lad at the Imprensa Nacional, the government press, and soon he was contributing to newspapers, writing plays and poems and starting a literary circle. But it was as a novelist that Joaquim Maria Machado de Assis would truly shine. Machado worked as a civil servant and co-founded the Brazilian Academy of Letters; he married happily (although his Portuguese in-laws initially objected to the colour of his skin). Beneath all this outward respectability, his prose was radically ingenious. Ever since The Posthumous Memoirs of Brs Cubas, Machados fifth novel, appeared in 1881 it has astonished readers with its lordly ironies and scorn for convention. The books invigorating style, as much as its backdrop of racial and social injustice, makes it ideal reading for this morbid, insurgent summer Brs Cubas, the fictional memoirist, has just died from pneumonia. As a thwarted corpse who failed in almost everything he tried, he wants to set the record straight about his drifting life as an idle, pleasure-seeking dandy in Rio. Beneath his jaunty veneer, Cubas harbours a melancholy pessimism. He sees a freedman lash a slave he has bought to relieve his own sufferings by passing them on to someone else. Yet the novel floats free of the ambient oppression on currents of mischief and urbanity. Sprinkled with epigrams, dreams, gags and asides, the story teases, dances and delights. Across 160 short chapters (Long chapters suit long-winded readers), Machado mocks every rule of the 19th-century novel. A chapter of dialogue is written entirely in punctuation (!?!). In another, the narrator acknowledges (in a new translation by Margaret Jull Costa and Robin Patterson), I have just written an utterly pointless chapter. Dave Eggers, an American author, recently called this one of the wittiest, most playful, and therefore most alive and ageless books ever written (www.economist.com, 15.08.2020. Adaptado.) No trecho do terceiro pargrafo Yet the novel floats free of the ambient oppression on currents of mischief and urbanity, o termo sublinhado expressa

(UNESP - 2022 - 2 FASE) An invigorating reading His grandparents were slaves. His father painted houses. His immigrant mother washed laundry. For a poor, mixed-race boy born in Brazil in 1839, their son had done well to become an apprentice typesetter in Rio de Janeiro. But a priest taught him Latin, and a literary agent spotted the gifted lad at the Imprensa Nacional, the government press, and soon he was contributing to newspapers, writing plays and poems and starting a literary circle. But it was as a novelist that Joaquim Maria Machado de Assis would truly shine. Machado worked as a civil servant and co-founded the Brazilian Academy of Letters; he married happily (although his Portuguese in-laws initially objected to the colour of his skin). Beneath all this outward respectability, his prose was radically ingenious. Ever since The Posthumous Memoirs of Brs Cubas, Machados fifth novel, appeared in 1881 it has astonished readers with its lordly ironies and scorn for convention. The books invigorating style, as much as its backdrop of racial and social injustice, makes it ideal reading for this morbid, insurgent summer Brs Cubas, the fictional memoirist, has just died from pneumonia. As a thwarted corpse who failed in almost everything he tried, he wants to set the record straight about his drifting life as an idle, pleasure-seeking dandy in Rio. Beneath his jaunty veneer, Cubas harbours a melancholy pessimism. He sees a freedman lash a slave he has bought to relieve his own sufferings by passing them on to someone else. Yet the novel floats free of the ambient oppression on currents of mischief and urbanity. Sprinkled with epigrams, dreams, gags and asides, the story teases, dances and delights. Across 160 short chapters (Long chapters suit long-winded readers), Machado mocks every rule of the 19th-century novel. A chapter of dialogue is written entirely in punctuation (!?!). In another, the narrator acknowledges (in a new translation by Margaret Jull Costa and Robin Patterson), I have just written an utterly pointless chapter. Dave Eggers, an American author, recently called this one of the wittiest, most playful, and therefore most alive and ageless books ever written (www.economist.com, 15.08.2020. Adaptado.) O trecho do quarto pargrafo que exemplifica a frase Machado mocks every rule of the 19th-century novel

(UNESP - 2022 - 2 FASE) An invigorating reading His grandparents were slaves. His father painted houses. His immigrant mother washed laundry. For a poor, mixed-race boy born in Brazil in 1839, their son had done well to become an apprentice typesetter in Rio de Janeiro. But a priest taught him Latin, and a literary agent spotted the gifted lad at the Imprensa Nacional, the government press, and soon he was contributing to newspapers, writing plays and poems and starting a literary circle. But it was as a novelist that Joaquim Maria Machado de Assis would truly shine. Machado worked as a civil servant and co-founded the Brazilian Academy of Letters; he married happily (although his Portuguese in-laws initially objected to the colour of his skin). Beneath all this outward respectability, his prose was radically ingenious. Ever since The Posthumous Memoirs of Brs Cubas, Machados fifth novel, appeared in 1881 it has astonished readers with its lordly ironies and scorn for convention. The books invigorating style, as much as its backdrop of racial and social injustice, makes it ideal reading for this morbid, insurgent summer Brs Cubas, the fictional memoirist, has just died from pneumonia. As a thwarted corpse who failed in almost everything he tried, he wants to set the record straight about his drifting life as an idle, pleasure-seeking dandy in Rio. Beneath his jaunty veneer, Cubas harbours a melancholy pessimism. He sees a freedman lash a slave he has bought to relieve his own sufferings by passing them on to someone else. Yet the novel floats free of the ambient oppression on currents of mischief and urbanity. Sprinkled with epigrams, dreams, gags and asides, the story teases, dances and delights. Across 160 short chapters (Long chapters suit long-winded readers), Machado mocks every rule of the 19th-century novel. A chapter of dialogue is written entirely in punctuation (!?!). In another, the narrator acknowledges (in a new translation by Margaret Jull Costa and Robin Patterson), I have just written an utterly pointless chapter. Dave Eggers, an American author, recently called this one of the wittiest, most playful, and therefore most alive and ageless books ever written (www.economist.com, 15.08.2020. Adaptado.) No trecho do quarto pargrafo In another, the narrator acknowledges, o termo sublinhado refere-se a