Questões - UNESP | Gabarito e resoluções

(UNESP - 2019 - 1 FASE) Indo s consequncias finais da posio de Jos de Alencar no Romantismo, esse autor adotou como base da sua obra o esforo de escrever numa lngua inspirada pela fala corrente e os modismos populares, no hesitando em usar formas consideradas incorretas, desde que legitimadas pelo uso brasileiro. Com isso, foi o maior demolidor da pureza verncula e do culto da forma. (Antonio Candido. Iniciao literatura brasileira, 2010. Adaptado.) O texto refere-se a

(UNESP - 2019 - 1 FASE) Entre 11 de fevereiro e 03 de junho de 2018, o Museu de Arte Moderna de Nova Iorque (MoMA) abrigou a primeira exposio nos Estados Unidos dedicada pintora brasileira Tarsila do Amaral. Leia a apresentao de uma das pinturas expostas para responder a questo. The painting Sleep (1928) is a dreamlike representation of tropical landscape, with this major motif of her repetitive figure that disappears in the background. This painting is an example of Tarsilas venture into surrealism. Elements such as repetition, random association, and dreamlike figures are typical of surrealism that we can see as main elements of this composition. She was never a truly surrealist painter, but she was totally aware of surrealisms legacy. (www.moma.org. Adaptado.) A apresentao refere-se pintura:

(UNESP - 2019 - 2 fase - Questo 19) Um caminho de brinquedo move-se em linha reta sobre uma superfcie plana e horizontal com velocidade constante. Ele leva consigo uma pequena esfera de massa m = 600 g presa por um fio ideal vertical de comprimento L = 40 cm a um suporte fixo em sua carroceria. Em um determinado momento, o caminho colide inelasticamente com um obstculo fixo no solo, e a esfera passa a oscilar atingindo o ponto mais alto de sua trajetria quando o fio forma um ngulo = 60 em relao vertical. Adotando g = 10 m/s,e desprezando a resistncia do ar, calcule: a) a intensidade da trao no fio, em N, no instante em que a esfera para no ponto mais alto de sua trajetria. b) a velocidade escalar do caminho, em m/s, no instante em que ele se choca contra o obstculo.

(UNESP - 2019 - 1 FASE/Adaptada) Entre 11 de fevereiro e 03 de junho de 2018, o Museu de Arte Moderna de Nova Iorque (MoMA) abrigou a primeira exposio nos Estados Unidos dedicada pintora brasileira Tarsila do Amaral. Leia a apresentao de uma das pinturas expostas para responder s questes 19 e 20. The painting Sleep (1928) is a dreamlike representation of tropical landscape, with this major motif of her repetitive figure that disappears in the background. This painting is an example of Tarsilas venture into surrealism. Elements such as repetition, random association, and dreamlike figures are typical of surrealism that we can see as main elements of this composition. She was never a truly surrealist painter, but she was totally aware of surrealisms legacy. (www.moma.org. Adaptado.) A apresentao sublinha a influncia de uma determinada vanguarda europeia sobre a pintura de Tarsila do Amaral. A influncia dessa vanguarda europeia tambm se encontra nos seguintes versos do poeta modernista Murilo Mendes:

(UNESP - 2019 - 2 fase - Questo 20) Uma corda elstica, de densidade linear constante = 0,125 kg/m, tem uma de suas extremidades presa a um vibrador que oscila com frequncia constante. Essa corda passa por uma polia, cujo ponto superior do sulco alinha-se horizontalmente com o vibrador, e, na outra extremidade, suspende uma esfera de massa 1,8 kg, em repouso. A configurao da oscilao da corda mostrada pela figura 1. Em seguida, mantendo-se a mesma frequncia de oscilao constante no vibrador, a esfera totalmente imersa em um recipiente contendo gua, e a configurao da oscilao na corda se altera, conforme figura 2. Adotando g = 10 m/se sabendo que a velocidade de propagao de uma onda em uma corda de densidade linear , submetida a uma trao T, dada por, calcule: a) a frequncia de oscilao, em Hz, do vibrador. b) a intensidade do empuxo, em N, exercido pela gua sobre a esfera, na situao da figura 2.

(UNESP - 2019 - 1 FASE) She led Latin American Art in a bold new direction Antropofagia (Cannibalism), 1929, a seminal work of Brazilian Modernism by Tarsila do Amaral that is part of a new show of her work at MoMA. In 1928, Tarsila do Amaral painted Abaporu, a landmark work of Brazilian Modernism, in which a nude figure, half-human and half-animal, looks down at his massive, swollen foot, several times the size of his head. Abaporu inspired Tarsilas husband at the time, the poet Oswald de Andrade, to write his celebrated Cannibal Manifesto, which flayed Brazils belletrist writers and called for an embrace of local influences in fact, for a devouring of them. The European stereotype of native Brazilians as cannibals would be reformatted as a cultural virtue. More than a social and literary reform movement, cannibalism would form the basis for a new Brazilian nationalism, in which, as de Andrade wrote, we made Christ to be born in Bahia. The unconventional nudes of A Negra, a painting produced in 1923, and Abaporu unite in Tarsilas final great painting, Antropofagia, a marriage of two figures that is also a marriage of Old World and New. The couple sit entangled, her breast drooping over his knee, their giant feet crossed one over the other, while, behind them, a banana leaf grows as large as a cactus. The sun, high above the primordial couple, is a wedge of lemon. (Jason Farago. www.nytimes.com, 15.02.2018. Adaptado.) De acordo com o artigo de Jason Farago, o Manifesto Antropofgico, escrito por Oswald de Andrade, foi influenciado

(UNESP - 2019 - 2 fase - Questo 21) Em um equipamento utilizado para separar partculas eletrizadas atuam dois campos independentes, um eltrico,,e um magntico,,perpendiculares entre si. Uma partcula de massa m = 4 1015 kg e carga q = 8 106 C parte do repouso no ponto P, acelerada pelo campo eltrico e penetra, pelo ponto Q, na regio onde atua o campo magntico, passando a descrever uma trajetria circular de raio R, conforme a figura. Sabendo que entre os pontos P e Q existe uma diferena de potencial de 40 V, que a intensidade do campo magntico B = 103 T e desprezando aes gravitacionais sobre a partcula eletrizada, calcule: a)a intensidade do campo eltrico , em N/C. b)o raio R, em m, da trajetria circular percorrida pela partcula na regio em que atua o campo magntico .

(UNESP - 2019 - 2 fase - Questo 22) Na figura, as retas AB e CD so paralelas, assim como as retas AD e BC. A distncia entre 3 cm, mesma distncia entre . a) Calcule o permetro do paralelogramo ABCD, formado pelas interseces das retas, na situao em que = 60 b) Considere que S seja a rea do paralelogramo ABCD representado na figura. Determine S em funo de e determine a rea mnima do paralelogramo ABCD.

(UNESP - 2019 - 1 FASE ) Leia o trecho do artigo de Jason Farago, publicado pelo jornal The New York Times, para responder a questo. She led Latin American Art in a bold new direction Antropofagia (Cannibalism), 1929, a seminal work of Brazilian Modernism by Tarsila do Amaral that is part of a new show of her work at MoMA. In 1928, Tarsila do Amaral painted Abaporu, a landmark work of Brazilian Modernism, in which a nude figure, half-human and half-animal, looks down at his massive, swollen foot, several times the size of his head. Abaporu inspired Tarsilas husband at the time, the poet Oswald de Andrade, to write his celebrated Cannibal Manifesto, which flayed Brazils belletrist writers and called for an embrace of local influences in fact, for a devouring of them. The European stereotype of native Brazilians as cannibals would be reformatted as a cultural virtue. More than a social and literary reform movement, cannibalism would form the basis for a new Brazilian nationalism, in which, as de Andrade wrote, we made Christ to be born in Bahia. The unconventional nudes of A Negra, a painting produced in 1923, and Abaporu unite in Tarsilas final great painting, Antropofagia, a marriage of two figures that is also a marriage of Old World and New. The couple sit entangled, her breast drooping over his knee, their giant feet crossed one over the other, while, behind them, a banana leaf grows as large as a cactus. The sun, high above the primordial couple, is a wedge of lemon. (Jason Farago. www.nytimes.com, 15.02.2018. Adaptado.) A obra Antropofagia (Cannibalism) de Tarsila do Amaral, apresentada na imagem, interpretada pelo autor do artigo como:

(UNESP - 2019) Os grficos a seguir referem-se s funes exponenciais f e g, de em , definidas por e, com a, b, c e d sendo nmeros reais, 0 b 1 e 0 d 1. a) Determine a funo f e as coordenadas do ponto de interseco do seu grfico com o eixo y. b) Determine a funo g e a equao da assntota do seu grfico.

(UNESP - 2019 - 1FASE) The Atlantic Slave Trade - 1731 to 1775 Based on the information presented by the map, one can say that, from 1731 to 1775,

(UNESP - 2019 - 1 FASE ) Prescriptions for fighting epidemics Epidemics have plagued humanity since the dawn of settled life. Yet, success in conquering them remains patchy. Experts predict that a global one that could kill more than 300 million people would come round in the next 20 to 40 years.What pathogen would cause it is anybodys guess. Chances are that it will be a virus that lurks in birds or mammals, or one that that has not yet hatched. The scariest are both highly lethal and spread easily among humans. Thankfully, bugs that excel at the first tend to be weak at the other. But mutations ordinary business for germs can change that in a blink. Moreover, when humans get too close to beasts, either wild or packed in farms, an animal disease can become a human one. A front-runner for global pandemics is the seasonal influenza virus, which mutates so much that a vaccine must be custom-made every year. The Spanish flu pandemic of 1918, which killed 50 million to 100 million people, was a potent version of the swine flu that emerged in 2009. The H5N1 avian flu strain, deadly in 60% of cases, came about in the 1990s when a virus that sickened birds made the jump to a human. Ebola, HIV and Zika took a similar route. (www.economist.com, 08.02.2018. Adaptado.) De acordo com o primeiro pargrafo,

(UNESP - 2019 - 2 fase - Questo 24) Bianca est preparando saquinhos com balas e pirulitos para os convidados da festa de aniversrio de sua filha. Cada saquinho ir conter 5 balas e 3 pirulitos, ou 3 balas e 4 pirulitos, j que ambas as combinaes resultam no mesmo preo. Para fazer os saquinhos, ela dispe de 7 sabores diferentes de balas (limo, menta, morango, framboesa, caramelo, canela e tutti-frutti) e 5 sabores diferentes de pirulito (chocolate, morango, uva, cereja e framboesa). Cada bala custou 25 centavos e cada pirulito custou x centavos, independentemente dos sabores. a) Quantos tipos diferentes de saquinhos Bianca pode fazer se ela no quer que haja balas de um mesmo sabor nem pirulitos de um mesmo sabor em cada saquinho? Qual o preo de cada pirulito? b) Quantos tipos diferentes de saquinhos Bianca pode fazer se ela no quer que haja sabores repetidos em cada

(UNESP - 2019 - 1 FASE ) Prescriptions for fighting epidemics Epidemics have plagued humanity since the dawn of settled life. Yet, success in conquering them remains patchy. Experts predict that a global one that could kill more than 300 million people would come round in the next 20 to 40 years.What pathogen would cause it is anybodys guess. Chances are that it will be a virus that lurks in birds or mammals, or one that that has not yet hatched. The scariest are both highly lethal and spread easily among humans. Thankfully, bugs that excel at the first tend to be weak at the other. But mutations ordinary business for germs can change that in a blink. Moreover, when humans get too close to beasts, either wild or packed in farms, an animal disease can become a human one. A front-runner for global pandemics is the seasonal influenza virus, which mutates so much that a vaccine must be custom-made every year. The Spanish flu pandemic of 1918, which killed 50 million to 100 million people, was a potent version of the swine flu that emerged in 2009. The H5N1 avian flu strain, deadly in 60% of cases, came about in the 1990s when a virus that sickened birds made the jump to a human. Ebola, HIV and Zika took a similar route. (www.economist.com, 08.02.2018. Adaptado.) No trecho do primeiro pargrafo or one that that has not yet hatched, o termo sublinhado refere-se a:

(UNESP - 2019 - 2 FASE) Examine a pintura do artista holands Pieter Claesz (1597-1661) e a traduo da expresso latina Memento mori. (Vanitas, 1625. www.franshalsmuseum.nl) Memento mori: Lembra-te de que morrers. (Renzo Tosi (org.).Dicionrio de sentenas latinas e gregas, 2010.) a) Alm da caveira, que outro elemento retratado na pintura de Pieter Claesz alude expresso Memento mori? Justifique sua resposta. b) Tendo em vista o contexto de sua produo, a temtica explorada pela pintura remete mais diretamente a qual escola literria? Justifique sua resposta.